Anthony Amore


On the night of St. Patrick’s Day in 1990, Rick Abath was working the overnight shift as a security guard at the Isabella Stewart Gardner Museum in Boston. While the rest of the city drank and partied and drank some more, he and another guard, Randy Hestand, took turns patrolling the empty rooms of what had once been the ostentatious home of a Victorian-era socialite who was really into art.

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